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The perverse collision between horror and pornography for Otto opens the possibility of a narrative turn to melodrama and a possible connection with another, however untenable this might be in his zombie world. Like LaBruce, Medea, the filmmaker within the film, is overtly ideological. There is the drive to eat. That is all. Otto as an ambiguous character signifies in both the genres of horror and pornography. Plus he seems to have some kind of eating disorder. For Otto, however, zombie identity seems to be a coping mechanism, as though he has opted to feel nothing even in the presence of sex.